John Balaban, author of Empires (Copper Canyon Press, 2019), has written numerous other books of poetry, as well as fiction, nonfiction, and Vietnamese translations, and his work has been awarded the Academy of American Poets’ Lamont Prize, a National Poetry Series selection, and two nominations for the National Book Award. His Locusts at the Edge of Summer: New and Selected Poems won the 1998 William Carlos Williams Award from the Poetry Society of America. Balaban lives with his wife and daughter in Raleigh, North Carolina, where he teaches at North Carolina State University.

Photograph by Carolla Clift.

Why I Was in Vietnam

A Memoir

by John Balaban

For all the confusion that engulfed me as soon as I arrived in Vietnam, I had come with clear conviction. I was opposed to the taking of human life. I was opposed to all war and, in particular, opposed to this war. It seems odd to me now that I could have developed such notions in the late fifties and early sixties, especially growing up as I did in a rough housing project rife with violence. My childhood memories include a ten-year-old girl running by my back porch with a dart in her back; a boy that other boys had hoisted off his feet by a rope noosed around his neck and slung over an oak limb; a girl whose forehead was gashed by her brother’s machete; children beaten by their alcoholic parents; a playmate who had cracked his drunken father’s ribs with a hammer; a ten-year-old buddy shooting me in the stomach with a hunting arrow; a boy down the street struck dead by an O’Boyle’s ice-cream truck; and a man getting hauled off by the cops because he was starting fistfights in a line outside a house where he was wailing, “I ought to be next. I’m her husband!”

Skinny, asthmatic, given to talking with imaginary creatures, as a child I cringed at this violence while admiring intensely my older brother who learned to survive within it: at seventeen, he sometimes toted a nickel-plated .32 revolver; his last day in school was when he punched a teacher down the school steps. Yet, somehow, all that violence propelled me in the opposite direction.

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