Wisława Szymborska (1923–2012) was born in Prowent, Poland, and was as a poet, translator, and essayist and the 1996 winner of the Nobel Prize for Literature. In her poems, many of which feature war and terrorism, she employed ironic precision, paradox, and understatement to explore philosophical obsessions. Her reputation rests on a relatively small body of work, fewer than 350 poems; when asked why she had published so few poems, she replied, “I have a trash can in my home.” Writing up till the end, Szymborska died in her Krakow home at the age of eighty-eight.

Photograph by Daniel Malak.

The Joy of Writing and Other Poems

by Wisława Szymborska, translated by Clare Cavanagh and Stanisław Barańczak


The Joy of Writing

Why does this written doe bound through these written woods?
For a drink of written water from a spring
whose surface will xerox her soft muzzle?
Why does she lift her head; does she hear something?
Perched on four slim legs borrowed from the truth,
she pricks up her ears beneath my fingertips.
Silence—this word also rustles across the page
and parts the boughs
that have sprouted from the word “woods.”

Lying in wait, set to pounce on the blank page,
are letters up to no good,
clutches of clauses so subordinate
they’ll never let her get away.


Each drop of ink contains a fair supply
of hunters, equipped with squinting eyes behind their sights,
prepared to swarm the sloping pen at any moment,
surround the doe, and slowly aim their guns.


They forget that what’s here isn’t life.
Other laws, black on white, obtain.
The twinkling of an eye will take as long as I say,
and will, if I wish, divide into tiny eternities,
full of bullets stopped in midflight.
Not a thing will ever happen unless I say so.
Without my blessing, not a leaf will fall,
not a blade of grass will bend beneath that little hoof’s full stop.


Is there then a world
where I rule absolutely on fate?
A time I bind with chains of signs?
An existence become endless at my bidding?


The joy of writing.
The power of preserving.
Revenge of a mortal hand.


I’m Working on the World

People on couch
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