Guy de Maupassant, universally acknowledged as a father of the modern short story, is celebrated for his clever plotting. Born in Normandy, he was the protégé of Flaubert, who guided his debut. His first story, “Boule de Suif” (1880), was characterized as a masterpiece, and he continued to write methodically, producing two to four volumes of stories a year, as well as his greatest novel, Pierre et Jean. Wealthy and celebrated, he contracted syphilis and was diagnosed insane in 1891. Maupassant died in 1893, short of his forty-third birthday, having penned his own epitaph: “I have coveted everything and taken pleasure in nothing.”

Of the Novel

A Preface to Pierre and Jean

by Guy Maupassant, translated by Clara Bell

I do not intend in these pages to put in a plea for this little novel. On the contrary, the ideas I shall try to set forth will rather involve a criticism of the class of psychological analysis which I have undertaken in Pierre et Jean. I propose to treat of novels in general.

I am not the only writer who finds himself taken to task in the same terms each time he brings out a new book. Among many laudatory phrases, I invariably meet with this observation, penned by the same critics: “The greatest fault of this book is that it is not, strictly speaking, a novel.”

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